Out of the Mire

May 3rd, 2011

Fat Strings Make for Fast Picking

Well this is weird.

I’ve been working on the intro to Lynyrd Skynyrd’s “I Know a Little” for weeks, and I was having a miserable time with some of the flatpicking. There’s a place where you play the first string at the twelfth fret, then the second string at the tenth fret, then the third string at the eighth fret, and then you move everything down a fret and play it again. You do this at 150% of the song’s normal 220 beat per second speed. It is not easy. I’ve been screwing it up over and over.

The other day I took my Strat out of the case. I hadn’t played it in a while. It has elevens on it. My other guitars generally have tens on them (or tens with heavy bottom strings). When I played the Strat, the flatpicking was easier. This was what I had hoped for when I took it out. It’s not surprising, since it’s generally easier to flatpick heavy strings. I decided to consider putting elevens on my other guitars.

The Strat is great, but I can’t cope with the volume knob that sits where my picking hand should be. It forces me to play near the neck, where the strings are wobbly and hard to find. I figured I should try elevens on another guitar and get used to picking fast near the bridge, where it’s easiest. Eventually, I would be able to go back to the Strat and play fast, regardless of the position. I’d get used to picking fast, so the knob would no longer matter. This was the plan.

Today I got a set of D’Addario jazz/blues strings (couldn’t find the normal ones at Best Buy) and put them on my amazing Chinese Epiphone. Suddenly I was able to play that difficult lick! The clouds had parted! You can’t imagine how hard I’ve worked on this, and how little progress I made until I tried the new strings. Suddenly I was able to feel the strings properly with my left hand, and they didn’t run away from my right hand any more. The thinner strings didn’t give my left hand much feedback, and they were hard to find with the pick.

Since then I’ve played “I Know a Little” until I’m wiped out. It’s so satisfying, hearing it work. Now I just have to fix one piece of fretting, and I’m in business. I’ll be able to play the song well at 90% speed and adequately at 100%. That’s a big deal. I’ve never seen anyone else do it. If I can do this, I know I’ll be able to play blues guitar well.

Most people like to use little strings to play fast. It doesn’t work well for me. They bend much easier, and that’s nice, but when you’re really flying, they seem to let you slide around the guitar neck too much, making your fretting inaccurate. When you fret guitar strings, sometimes you actually use one string for support while you reach for another, and that doesn’t work well with nines or tens. And because they’re hard to feel, you don’t always know what’s going on.

Maybe it’s because I learned on thirteens, playing bluegrass. Those things are fantastic for fast picking. You can forget about bending them to any useful degree, and stretches and playing up the neck are really rough, but your right hand will cook, and your left hand will always know exactly what’s happening.

I wonder if this is why Stevie Ray Vaughan liked thick strings. Perhaps when your hands get strong, playing on thin strings gets harder. He played very, very fast, so I can see how thin strings would confuse his picking hand. I’m sure someone will point out that he tuned down half a step, making the strings easier to bend. I think that would make the need for stiffer strings even greater.

This is fantastic. I’m so relieved. When you’re a musician, every time you hit a technical problem you can’t solve, you wonder if you’ve hit the limit of your talent. Now I know I can flatpick the electric guitar as fast as anyone needs to. I may not be the fastest, but almost no material will be off limits to me because of speed issues. That’s good enough for me. It’s the best result I could have hoped for.

It’s also comforting to know my age is not limiting me. I remember watching Roy Clark complain about losing speed, and he was probably five or more years younger than I am. I think he had arthritis. Anyway, when you’re old and you try to develop a skill, you always have to worry that it’s something your body or mind can’t do.

Finally, I’m going to have music in my life, and I’m going to do it well. The problems I had with the piano were extremely disappointing, so I feel like I have a new lease on life. I also have friends who are interested in amps, guitars, music, and serving God, so I won’t be alone in this.

I can’t wait until next week. With this new development, I should be playing this song correctly by then.

On top of that, I found a new tube amp design that I like, so I’m getting ready to order the parts and get to work. I now have two guys at church who want me to build amps for them.

Psalm 37:4!

3 Responses to “Out of the Mire”

  1. Charlie Bravo Says:

    Flat wound strings are the way to go.
    It’s a different animal.
    Next project: building myself a fretless guitar. After playing my fretless bass it’s going to be a ton of fun!

  2. Anthony L. Says:

    Steve Howe of Yes fame regularly strung his ES 175 with medium strings, but used a .013 string for his 6th string (high E). I haven’t tried this myself.

    I loved my Strat strung with .011 medium strings. It just played so much better that way, but I submit that in addition to being able to pick faster, the .011 strings just made that Strat honk like crazy. I really love how Stratocasters sound, they are a really expressive guitar to play.

    As I am sure you are aware, playing acoustic guitar can really up your game on the electric a lot. I probably play 50% split evenly between the two.

    I have been a musician for over 30 years, I used to install high end car and home audio, and I make circuit boards for a living, so your posts about the amp build and music and guitars in general have been very interesting to me. Thanks.

  3. Lee Says:

    Good work, keep it up!

    You know, I’d never thought too much about string thickness in relation to speed picking, but the more I think about it, the more I think you might be onto something. I do like the Ernie Ball Heavy Bottom strings for easy bending + badass bass tone.

    AFAIK, SRV used big strings because big strings sound better than little strings, all else being equal. He made comments to that effect many times in interviews, anyway.

    Billy Beck over at two–four.net has some interesting comments about SRV’s guitars in his archives if you’re interested. Looks like he had the chance to handle some of them.

    Onward and upward.
    Lee