Guitar Fun

I can’t say enough about Hal Leonard’s Play-Along guitar instruction books. I am still working on B.B. King’s “Sweet Sixteen,” and I’m thrilled at the way the book and the software make hardcore practice possible.

I don’t believe in wimpy music practice. If a lick is giving you trouble, you don’t practice it three times and then roll over and pick up the cable remote. You practice it dozens or hundreds of times. If the sound you make when you practice doesn’t drive other people insane, you’re not doing it right. You’re not supposed to PLAY. Practice is WORK.

I hate it when people want to listen when I practice. They always complain. “Can’t you play something that sounds good?” NO, I can’t. GET OUT. That’s my attitude. I don’t show up at your office and ask you to make me sandwiches and pie.

With the Slow Downer software that comes with the book, I can put a short part of a song on a repeating loop and practice it until I can’t take any more. It’s fantastic.

By the way, Audacity freeware will do the same thing. It won’t remove the guitar from the music, but it will do looping and speed and pitch changes easier than Slow Downer.

I can’t quit looking at guitars. I am going to have to get control of this. Covetousness wastes time and money. And it will be another couple of months before I really know what I want from a guitar.

I’ve found some interesting stuff out there. Gibson’s Japanese affiliates used to make guitars under a different name, and the quality is probably better than the US instruments. You can save a lot of money and get a neat collector piece by buying one of these things. The factories made the same guitars under other labels, too. Look for Greco, Burny, Edwards, and Tokai, among others. You can still get a new Edwards for a grand, and it will probably be better than a $3500 Gibson. How can you resist a thing like that? Smoother action, better fit and finish, same design, same quality materials, and if you’re determined to spend the full Gibson price, you can have a luthier trick out your Japanese beauty until nothing the Gibson Custom Shop makes is worthy to be on the same stage with it.

A company called XOX makes electric guitars from carbon fiber. They have better sustain than wooden guitars, and they don’t warp or crack, so they’re nearly maintenance-free. A company called Rainsong makes top-quality carbon acoustic guitars which have the same durability and stability advantages.

I love Gibson guitars, but the quality control has always been bad, and they are overpriced by a factor of at least two. I have been reluctant to try Asian instruments because of the poor quality of Japanese Martin clones. Nothing sounds worse than a Yamaha acoustic. But my Chinese Epiphone Riviera continues to amaze me. I think it’s probably much easier to make a good electric guitar, because so much depends on the electronics, and because you don’t have to worry so much about creating a perfect thin-shelled resonating cavity. I still don’t trust Asian acoustics, but my experience proves you can get a good electric guitar for almost nothing.

I think I can resist the temptation to try a $500 Epiphone Les Paul with P90s. But I’m not positive.

I’m still planning to get myself a really good electric for Elvis’s birthday. Currently, the Taylor T3B heads the list, but that could change at any minute.

I found a beautiful Gibson ES-125TDC online. There are still a lot of good ones out there, in excellent condition after forty years. This is the guitar George Thorogood uses. I’d love to get one and have a luthier fix all the Gibson glitches. One nice thing about buying a lightly used guitar right is that you can’t lose much money. In fact, you are nearly certain to make money on it, at least in numerical (not inflation-corrected) terms. My old J200 is worth maybe five times what I paid for it.

B.B. King is going well. It turns out playing the blues is very easy. Bluegrass makes both of my hands hurt, and it puts big calluses on my fingers, and it makes my elbow sore, but rock and blues music generally take much less speed, strength, and skill. There are new things I’m learning, but trust me, going from bluegrass to basic blues or basic rock is a joke, and going the other way would be like learning a whole new instrument. So bluegrass has turned out to be great preparation. And it’s not going to be hard to come up with original blues stuff. While I work on imitating the CD, I find that I don’t always like what B.B. does, so I throw in my own ideas, and they sound great.

I like the slow pace of the blues, because it gives me time to think about technique and shape the notes. As a bluegrass player, I am unable to force myself to accept sloppy playing, so I will not be happy unless I can play cleanly. Because the blues is slow, I can really polish up my technique and work on the subtleties.

The Riviera has a fantastic sound when you go up the neck and play slowly. I don’t know how it could sound or play any better. You get a lot for five hundred bucks these days.

I learned something surprising. I’m pretty sure about this. I put elevens on my Riviera because big strings sound better. Now when I try to follow the CD, I find that there are notes the guitar will not play. Apparently, when you bend a nine as far as you can, the pitch is higher than the pitch you get when you bend an eleven all the way. It’s not a question of strength. I can use two fingers to overcome the higher tension of the thicker string, and I can bend it to the limit, and it still doesn’t make the sound B.B. King’s string makes. So I may have to go down to tens.

I don’t know how much it matters. With an acoustic guitar, the strings determine how good the instrument sounds. With an electric guitar, you can fake up a good tone regardless of the string gauge. It’s cheating, but then so is using an amp.

My memory seems to be much better than it was back when I got frustrated with the piano. A few weeks back, I got the feeling that God was restoring my musical memory, and it seems to be true. I hope I can get it to work with the piano. Then I’ll be all set.

I’m wondering if I can start playing with some people from church. Suddenly, I know several excellent musicians. It would be great to see an improvement in worship music. People are playing a lot of good stuff these days, but the old songs are still the best, far and away. “Amazing Grace” is over two hundred years old, for example. Get on the web and check the publication dates of your favorite songs. You’ll see what I mean. We need people to start making music so good, it gets played on secular radio. We’ve had crossovers before, and we should be doing it all the time.

If you’re a musician, here is a tip. If your electronic tuner is more than a couple of years old, go to Guitar Center and get a $20 Korg. I got one because my Qwik Tune (fine tuner in its day) was slow and unreliable. The Korg is extremely sensitive and very fast, and it doesn’t limit you to E, A, D, G, B, and high E. You can tune your guitar any way you want. You can even use it for vocals.

I guess I’ll throw the Qwik Tune out. It’s not worth keeping or giving away. The batteries are big and expensive, and it doesn’t work well. Why would I keep it, when the 9-volt batteries cost 20% of the price of a new Korg that comes with fresh AAAs? Technological progress is funny; it generates antiques that are almost completely worthless.

My dreams are coming true. Hope yours are, too.