New Year’s Day Pixel Party

January 1st, 2026

Some Day I Will be the Richard Avedon of Beef Cattle

I have settled on the Sony A6700 as my main APS-C camera, and I am learning to use Photolab9 to edit photos.

I thought Photolab was a better choice than Lightroom and Photoshop, based on some confusing information I worked pretty hard to obtain. I thought I was being told Photoshop was not good for working with raw files, but in a comment, a reader said that was not correct, so I went back to my research and discovered that just about everyone agrees with him. Nonetheless, I have Photolab right now, and it’s a top-notch program, so I am learning to use it. Maybe I’ll eventually give up, join the Adobe subscription herd, own nothing, and be resentful.

Today, in order to learn, I decided to do a photo walk around the property. I can’t publish all the photos that came out reasonably well, because I want to keep some private, but I can show a few things that seem to have worked. The ones I won’t publish are considerably better, but even these mediocre-to-bad shots have some value. I had to shrink them quite a bit, so the original large files are a lot nicer.

It was a productive experience, and I really enjoyed the camera and lens. I found the A6700 much more pleasant to work with than the A6400 it is replacing.

I think I would have done a lot better had I gotten out earlier. I started after the light had started dying, so it was a short session, and that cost me opportunities.

My single biggest problem is inability to deal with lighting challenges, so I think shooting in bad light is good for me, but this lens may not be up to it without a tripod and low shutter speeds. I’m not sure yet. Maybe I should have risked lower speeds today to find out.

I bought a Sigma 18-50mm zoom to go with this camera, and that’s what I used today. I like fast primes, but I have to learn to use slower lenses and zooms.

First off, the worst of the lot. I came across the cattle working on a round bale in the shade, so I thought I would see how well I could handle the poor light. The cow in the sun is the star of the picture, and unfortunately, her face is pretty grainy, but this would be just barely good enough for social media, if I had social media. I wonder if I had the camera focused in the wrong plane.

Hmm. Maybe it wouldn’t be good enough.

I figured this shot told a sort of story. The cows are all staring at me, and they have stopped eating, which makes it seem as though something that would be important to a cow has happened. The cow in the sun looks as though some higher being has selected her for some special purpose, which is not likely but gives the picture some appeal.

I also shot a photo of a chain hanging on a gate. Not the most exciting subject, but the light was excellent, the gate had interesting color and texture, and it was an opportunity to work on composition. I don’t know if it’s possible to do much more with this subject, but it helped me get used to running the camera.

The focus is not great. I may have alternate shots that will look better. The bokeh seems fine.

I just checked the original large JPG, and the focus is considerably better.

The weirdest shot is an upward look into the branches of a live oak. I was trying to find a composition in it. I did not expect much from it. In fact, I assumed it would be trash, but once I started playing with the raw photo, surprising colors came out. I really enjoy looking at this picture, so it must be okay.

I’m not sure how to crop it. Sometimes I like one version best, and sometimes I like another one.

It’s a shame I can’t post the full version, because people will probably look at this small, crude one and wonder why I didn’t delete this picture. There is a world of difference. I would never have expected this photo to be so pleasing to look at, but there it is.

I’ve learned that you can’t tell whether a photo is good until you edit it. They will really surprise you.

I got a very good shot of my wife with my son sleeping by her side, and I also got a nice shot of some mailboxes in good light as well as a surprisingly pleasing shot of the workshop with a sun star over it.

I have seen people claiming that high ISO numbers are no problem, but that doesn’t seem to be true. I use Photolab’s denoising, which is supposedly better than Adobe’s, but it looks like there is still no substitute for good light and a fast lens. Or a slow shutter.

I took a lot of useless pictures today, including shots I knew would be useless. I took shots I didn’t expect to work out, just so I could get used to running the camera and lens.

I hope to get out earlier tomorrow. If I get out earlier, I won’t have to struggle so hard to find things to take pictures of.

2 Responses to “New Year’s Day Pixel Party”

  1. John Bowen Says:

    I think a hotshoe flash would do you more good than you might think. Everyone is in love with natural light, but professional photographers almost always have a speedlight in the hotshoe, just in case they run into a very high contrast scene that needs some shadow lift.

    To that end I highly recommend a round head flash like the Godox V1, with the magnetic plastic dome diffuser. It provides wonderfully soft light of considerably greater intensity than one might expect. Absolutely outstanding for portraiture work, and it won’t break the bank.

  2. Steve H. Says:

    Thanks for the suggestion. I bought that exact flash when I was trying to make macro work for me. I had to watch two videos just to get a basic understanding of how to use it. I’ll keep plugging away.

Leave a Reply; Comments are Moderated and Not All Are Posted. Keep it Clean.