Danger: White Guy with Blues Sheet Music

July 24th, 2010

I Have This Situation Under Control

I have had some misgivings about studying ZZ Top in order to learn the blues. Some of their best stuff is not all that clean. “La Grange” is about a whorehouse. If that’s not bad enough, I’ve been working on “Tube Snake Boogie.”

While the songs are not optimal material, I did learn one thing from studying them: Hal Leonard’s Play-Along instruction books rock.

These books feature licensed material by popular artists, and the licks (supposedly) are accurately transcribed. A long time ago, I tried to learn some SRV stuff with a different book, and I’m just about positive the transcriptions were not merely wrong, but sometimes impossible to play. Apparently, I’m not the only one who has this problem, because these days, a lot of books are advertised as “recorded versions,” so people will know they’re not getting garbage somebody made up.

The Play-Along books come with CDs that have demo tracks plus tracks with the guitar removed. They give you software, too, so you can play the tracks any way you want. Fast. Slow. Whatever. You can loop stuff, too.

Today I blew the massive sum of $14.95 on the B.B. King book, and it’s fantastic. I’m working on “Sweet Sixteen.”

I’m learning some interesting stuff about B.B. King. Judging from the sounds he makes, he sometimes mutes strings with his pick. I know of no other way to produce the clipped notes he makes. You pick the string, bend it, and then bring the pick back and stop the vibration while the string is still bent.

If I’m wrong, I’m wrong, but it works. The book doesn’t explain it; this is just me talking.

I thought the pickups on my Chinese Epiphone Riviera were not hot enough, but now that I’m doing this B.B. King stuff, they sound wonderful. Maybe I still don’t know how to work the amp. I think I’m cheating it by keeping the volume so low.

The guitar is still great.

I looked at one this morning, at the Hallandale Guitar Center. I think I got lucky with mine, because the one they had didn’t look as good. It had some revolting ripples where the neck joined the soundboard. Mine is not perfect in this area, but it’s way better than the other one.

I’m really looking forward to getting my Blueshawk back. Now that the electric guitar is finally working out for me, I want to see what it can do. The public rejected this guitar, but almost everyone who actually played one loved it.

Found another good deal on a resonator instrument.

I’ve been trying to learn some acoustic blues. I finally downloaded some lessons from a guy called Catfish Keith. His playing is wonderful. Unfortunately, he sounds pretty white when he sings. Anyway, as soon as I started working on one of his songs, I noticed one of the notes was just plain missing. I may be wrong about this, but it looks like his tablature is wrong.

This kind of thing irks me. When I wrote my cookbook, I made sure it worked. I only know of one recipe error in the whole thing, and it’s pretty obvious, so it’s not likely to hurt anyone. I don’t know why people who publish tablature can’t be more careful.

Check him out on Youtube.

I better get back to practicing. I have to leave before long. I made another Tower of Babel cake for church, and I have to bake garlic rolls for the Saturday night youth thing. That cake is a wonder.

Check out those Play-Along books. They’re a big help.

2 Responses to “Danger: White Guy with Blues Sheet Music”

  1. Ritchie Says:

    ” Some of their best stuff is not all that clean.” I would suggest a process similar to distillation: keep the part you want, and don’t worry about the dross.

    “Maybe I still don’t know how to work the amp. I think I’m cheating it by keeping the volume so low.” Gift movie tickets upon the neighbors.

  2. walt Says:

    Check out Stefan Grossman’s many instructional offerings. He is very white, sings very white and plays great. I especially recommend his country blues and delta blues stuff and anything concerning Mississippi John Hurt.