Still Here

July 23rd, 2010

Who Are You People?

I haven’t updated in a while. What can I tell you? Life intrudes.

I seem to get more involved in church all the time, and music is also a factor. And increasingly, my Internet activities are directed toward the church these days. I set up a private forum for our Armorbearers, and I’m the administrator. We also have email accounts under our domain name.

It’s great to have a website where all the talk is centered around God, and we don’t have to worry about trolls and boors getting in. It has improved our communication tremendously. We don’t have a lot of time to get together when we’re not serving at church, so the forum allows us to get to know each other and brainstorm.

I would say “fellowship,” but that word always grates on my nerves. It makes hanging out sound like a chore. Like something you need lessons to do. And I don’t like using nouns as verbs. No one says, “My wife and I relationshipped last night.”

Jargon has a way of alienating people, and that’s the last thing Christians want to do. We’re trying to sell people the best product in existence. We don’t want to turn them off unnecessarily.

Music is going better and better. The Chinese guitar is still making me happy, although I am starting to realize the pickups are not great. I set my Strat up with elevens, and it feels wonderful and sounds great, but the same strings don’t sound as “hot” on the Riviera. I might go crazy and buy some Lollars eventually. I’m not the first one to be disappointed in this guitar’s pickups.

It’s exciting to be getting to the point where I can tell good pickups from bad ones.

The Strat has Fender Texas Special pickups, and they sound wonderful. I don’t know whether the American Roadhouse Strat was popular when it came out, but it’s awfully similar to the SRV clone they put out, and that guitar was supposed to sound like Stevie Ray Vaughan’s.

I almost bought a resonator guitar. I found a fantastic Ebay deal. Luckily for me, I got outsniped. Otherwise it would be on the way.

Why do I want a resonator guitar? Because I want to take my banjo skills and apply them to the guitar. You can do this with an electric guitar, but it seems more natural with a resonator guitar. I already have the picks; I even have an old blues book. Fingerpicks can do things a flatpick can’t do, and vice-versa. There is no point in limiting myself when I already have the fundamental training.

It turns out there is a good music store in Naples. I guess that’s two hours away. They sell National Guitars. Maybe when I get a few blues numbers working, I’ll head out there and see what they have. I like the wood-body sound. They make a big guitar called the El Trovador, and the sound is wonderful. Another model, the Estralita, is also easy on the ear. There is no point in trying to find a good music store in Miami. This city is allergic to sophistication and culture. Like I always say, we don’t even have LATIN culture. If Andres Segovia lived here, he would have to work at Burger King. This is a city of Fender Squiers and cheap electric pianos.

Another discovery: Beard Guitars. They make great resonator models. They lean toward the Dobro, however. I’ve never been a big bluegrass Dobro fan. Purists would hang me for saying this, but bluegrass uses short notes, and that doesn’t work with a Dobro. Why buy an instrument with tremendous sustain, when every song you play is made up of eighth notes?

Check out this video. It shows what a Dobro can do if you don’t clip the notes.

I’ve seen some of that guy’s other videos, and he’s not a virtuoso, so presumably, he is only beginning to tap the instrument’s potential here.

To me, sustain means versatility. You can play short notes on a Dobro, but you can’t play long notes on a banjo.

I still have my old flamenco guitar. Maybe it would be a good choice for learning acoustic blues, until I’m good enough to know what to upgrade to.

I need to start writing new music down. I’m keeping up with bluegrass, mainly for the exercise, and it’s extremely easy to write tablature for it. Sometimes a new arrangement will go shooting through my head, and it’s like having a subway train go by six inches in front of my face. I have to write this stuff down.

I don’t know how often I’ll blog from now on. It’s great to be out of the political snakepit.

10 Responses to “Still Here”

  1. pbird Says:

    God Bless you Steve. You have a life!!!!

    Nice little clip. I liked it a lot.

  2. Titan Mk6B Says:

    I thought I wanted to play the banjo so I took lessons but I just could not make it work. That is the down side. Up side is that it made me a much better guitar player.

    Who knew?

  3. Virgil Says:

    My buddy Theodis Ealey (google him…I’ve played harmonica with him on stage) wrote a song called “If you leave me…I’m going with you…”

    I sort of feel like that when you mention ending blogging, and I hate to see you go but good luck where ever God takes you Steve.

  4. Jeffro Says:

    Mixed emotions here, too. Hate to see you go (if you do), but happy for you. God Bless you.

  5. blindshooter Says:

    Glad life and the Lord are treating you well!
    .
    Write when you can, I love the political posts you have done from the Christian view point.

  6. Jim Says:

    You know, you’ve done more real ministering, via random posts about tools, guns, food and music, than many “ministers” do from a year in the pulpit.

    I think it’s often a diminishing return, when Christians step too far away from “the world”, removing as it were, a necessary light which ought shine into the shadows.

    Doubtless, you’ve reached many with your words. Those many are such that would not go and visit a “gospel” website, but who’ll read (and post) about machining, guns, food, parrots, and the positive effect that God shows in your life.

    And you wanna darken that candle?

    Think of how you’re working to reach your Dad, and think of that similar approach here, to many who read you.

    You gotta go where they are, they’re not gonna come find you if you set yourself aside from this work.

    Jim
    Sunk New Dawn
    Galveston, TX

  7. Clancy Says:

    Beard is defacto standard bluegrass dobro (Like Martin is the Guitar & Gibson Mastertone the Banjo), surprised you didn’t know that. (must be the florida bluegrass you’ve lived with 🙂 And among the Beards, the gold standard is the Mike Auldridge signature model.

    A good friend of mine has a standard Beard & and Aldridge and loves them both, though he gets all the compliments on the Aldridge.

  8. Steve H. Says:

    Are you sure about that? When I quit playing bluegrass, the standard dobro was…Dobro. And at that time, virtually everyone realized that the Gibson Mastertone did not compare to anything made by Stelling. I have a Mastertone, but if I wanted to take up the banjo again, I would not even consider a Gibson.
    .
    I didn’t hang around at festivals, however, so I may have been somewhat out of the loop.
    .
    When I got my Taylor, I considered Martin, but their poor actions turned me off. I have heard people claim Taylors aren’t as good for bluegrass as Martins, but I believe that’s just like the sour grape juice pouring out of the characters who think only Colt can make an AR15.

  9. Clancy Says:

    I stand corrected. No doubt that Stelling is the Bentley among the banjo’s – My father was a die-hard mastertone fan and I probably always just noticed them more. But he would always jester and whisper “that’s a stelling” whenever we were in the presence of one as if it was something magical.

    And my experience was all about ‘old’ – very few people I knew ever bought new – not even when you could afford it. And new Gibson’s are definitely suspect. But I think that goes for most BG musician’s – if they can’t sit and play with it for a hour before haggling over the price, it’s not gonna happen. Unless it’s REALLY old, then it doesn’t much matter. The same guy who has the two beards also has a 1939 D35 he bought for $600 about 30 years ago. It’s priceless to him.

    I see the occasional Taylor, but it is rare, and never as revered (as with the colt AR mentality). My father left me his Mossman guitar – it get’s looks and compliments all the time, and has a wide action that takes some getting used to.

  10. Clancy Says:

    Sheeze – ’39 D-28. D-35’s didn’t come along ’til much later. Not that I have any credibility left…